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The Airbus A340 is a commercial passenger plane long-range widebody Airbus, the consortium European aircraft manufacturing. It is very similar to the Airbus A330, but has four engines rather than two. The model is the A340-600 commercial aircraft around the world.

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A week of English comiquero next big event, we inform you what you can find by LP Editorial for these dates. As you know, this year we will not stand, but there will be dancing with other artists and collaborators of our publications.

First, announce an important date. According to the distributor, both Hollow Earth as The Parade magazine in March, will arrive in the English shops on 5 June, Friday. For some unknown reason will not be distributed during this time.



Although you go to the Hall you can buy them before anyone else, and even signed by their authors. Our editorial friend Journey to Byzantium editions, Hollow Earth host its own booth (no. 145), plus the new Invisible Memory , story we could not publish at the time and present this exhibition Byzantium. Highly recommended.
firms sessions were organized for different days are:
Friday, May 29
12:00 to 14:00 (with Ernesto Rodriguez, illustrator Memory Invisible )
16:00 to 18:00 (with Paul E. Soto illustrator Hollow Earth )
18:00-20:00 (with Ernesto Rodriguez)

Saturday May 30
12:00 to 14:00 (with Ernesto Rodriguez)
12:00 to 13:00 (with Paul E. Stewart)
15:00 to 17:00 (with Paul E. Soto)
17:00 to 18:00 (with Ernesto Rodriguez)
8:00 p.m. to 9:00 p.m. (with Ernesto Rodriguez)
20:00-21: 00 (Paul E. Soto)

Sunday May 31
12:00 to 13:00 (with Ernesto Rodriguez)
12:00 to 13:00 (with Paul E. Smith) 18:00
-20:00 (Ernesto Rodriguez)
17:00 to 20:00 (with Paul E. Soto)

Monday June 1
12:00 to 14:00 (with Paul E. Soto)
17:00 to 20:00 (with Paul E. Soto)
18:00-20:00 (with Ernesto Rodriguez)

course means that Francisco Javier Pérez, writer of both shows will also be with them.



Moreover, 3 La Parada magazine you can find at the booth of our friends and partners Rantifuso , also be nominated again this year for best fanzine. There you can take you Samu firms, Juan Daniel Garcia Fender and full-time and also take you step one of their numbers, there is choice.

Finally, once again thank José María Carrasco (Byzantium) and Samu (Rantifuso) supporting our authors and publishers for this year's show. Thank you both!

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Content

This is the content to present the new issue of The Parade magazine: Slashed

• / Jesus Briosso screenplay by Javier D. Vadillo.
• More powerful than death / Samu, screenplay by Daniel Utrilla. Raining Blood
• / Felipe Torrent. Pet Shop
• / Araque
• Improbable / Javier Garron, García Salvi color
• Out of the night that covers me / John Fender, screenplay by Daniel Garcia
• Mermaid / Irene Rodriguez
• Brokedown / Aureo Lorenzo
• Freaks + RIP / Aitor I. Erana

Now Available Soon preview on our web . The next update will update you of what you can find in the Barcelona Comic Convention related to LP Editorial publications and their authors.

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The Stop # 3 LP3: look at the comics that come (III)

previews conclude this presentation by showing another innovation that you can find in the pages of the magazine stop 3.
It is up to turn the team formed by the newcomer (to the magazine, not to that of comics) and Garrón Javi García Salvi , acting as a colorist for the story entitled "Improbable." A crude history of science fiction and mysticism, in which a young warrior must prove to be the best heir to the riches of his father.
is an excellent opportunity to see the tandem Garrón + García in action outside the universe away from blogger and cartoonist facet to give way to a world of their own role in the pecking order is not always the most effective .



Another new feature that you can enjoy The Parade magazine is a first-time, full-color series Freaks. To give everything in this remastered version of the series created by the brilliant Aitor I. Erana.


is also good to bring your material to any signature of the author during the next Hall of comics from Barcelona. Go get him, he loves it.

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Note clarification from Aker Art Studios (friends of Russell)

We received this morning this note attached, it is the justification of those responsible for Aker Art Studios on the Russell case. Well, they themselves reveal their names, that we save. Under the note, our opinion.

Hello!

After the self-styled "Case Russell" and seen the alleged malicious ruses in which Russell has been involved I think we have "at least" the right of reply.

First and foremost, Russell has been at all times informed of the negotiations with LP3 and have the emails that verify this. The person insisted that the project was sent, and no one else, to be published from AkerArtStudio is asked to draw one or more stories sent in almost two years only sent us samples that received or unfinished or poor quality .

the end we told them of your interest but they should lay out the comic in Castilian, they said they had no time and that would send it blank or label the editor was published as such. To try "colarlo" and elsewhere. And so they tried!

Russell argued two years ago to join the agency that it was better to act like him Peter L. López by language difficulties, and every one of the messages and transactions were reported on time (I repeat that we have their e-mails and responses), Mr. Russell may have forgotten.

also have signed permission for collection transactions, which are made in the first instance on account of the agency or representative who, after deducting the percentage len is provided to them by entering Pay pal, Xoom or bank transfer as stipulated in the contract they signed. So no wonder that the bank account of Mr. Russell was not because this is not the primary procedure for recovery. In no time the agency has set any kind of deception, nor the editorial, and we followed indications, nor with the author as he was informed at all times. Perhaps to be found Russell in his little interest in negotiating this comic or down payment amount has lashed out against us to cover its current artistic apathy.

we repeat that we have clear evidence of argument that was aware of everything. And we repeat that the usual method of payment is indicated by all authors. And all have taken time after deducting the percentages and amounts always agreed with the editorial. You can check on authors such as Jaime Calderon, Santiago Espina, Marco Roblin and so on.

The absurdity of the situation and the fact speculate without hearing the other part is what has hurt us most. Given that we have never any transaction WITHOUT KNOWLEDGE of our authors, either economically or contract, nor what we will.

The most regrettable part is that the author himself has shown as well as the editorial by not contrasting. If they had contacted us in the same way they have done with Russell, we opened them supplied all the information needed to realize who was doing good and who evil.

Thanks for posting this letter and give us the right of reply in a case which concerns us and this may lead to error.


We only comment on certain points:
- As an agency you are, there has been no negotiation or representation. You yourselves who speak of "trying to sneak" a comic. A comic book also had no head or tail and was 4 pages ask.

- Excuse or not, represent a person is not impersonating him, or do a little theater assuming a role. In the mail is signed and talks like the author himself, things like "I've drawn ... " I have a story ... "or" I'm all is a case ... . " Over a year has been cheating, was it necessary to publish this on the blog for everyone to reveal his identity? From this new point of view everything takes on a shade more ridiculous and surreal.
Some of our artists work with representatives know very well how things are usually done and certainly not the case. Of course without ovid Russell did not say the same.

- A curious case is being accused of not verify the information. But, gentlemen, are we journalists? Do we have to investigate behind each person you send us an email, or doubt that everyone is who they say they? At the moment we leave the topic journalism in other hands, we only know that we are not interested in this type of foreign relations.
Our intention has been to settle the matter, do not find a version of the facts. Moreover, we have a very subjective view of the fact that our editorial is that is at stake. We do not care too much how little you entendáis artist and agency. At the end of the day is your problem and your word against yours. We are not judges or mediators, we only have our experience.

- Finally, we have given this right to reply because it is part of our way of being. But this is not an open debate in which both parties try to convince a jury invisible. Is a closed issue. Do not want to work with your agency and thus with the artists who come recommended by you. In fact, if from the outset hubieséis been as sincere as in this note, I had we had the opportunity to get here. We could have negotiated another possible issue, but in "The Stall" no. In the philosophy of the magazine does not reflect the promotion of already established foreign authors. Not to mention that the space reserved for Russell could have been used for author names that he deserves the opportunity.

have been overcome.
We Go From Here we leave this page and next topic.

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editorial opinion after reading "The Case Russell" Russell

And now is when we talk about ourselves.
We like to keep many things in the inner circle of the stop and comment on the blog just the great blunders, but that does not imply that there are a number of people who consider themselves comic fans trying to get the trip. And when I say autoconsideran is the absurdity of situations like this, where all they do is impede the movement of national authors currently have no place in our country. As comics are concerned, our country is very limited, and we are not wrong, we know that market at a good age and is increasingly, but most consume foreign comics. The comic book industry in our country is limited to a very specific and authors that are out of style (both in fiction as in picture) have to try their luck in foreign markets saturated by their authors. And all for one simple reason, no culture of comics.
If any of you go with a Batman comic, hellboy dragonball the hand or the whole day, sooner or later someone will call child some aspect. "When you gonna grow up" is the phrase that we hear constantly ninth art lovers. The funny thing is that on one hand, we constantly criticize series of animation and comics (comic code) and the other going to the cinema to see intellectual and mature works like "Full Throttle." But no one looks weird, it's good. And that is precisely what we should start to complain, that is what we like, period.
And because of this permanent attack the English comic has become sectarian. We say we are not children and that our art is as good as film or literature (the end of the day is a compromise) and how we use is consuming comics considered mature by the complexity of their scripts or the harshness of the story. But we forget that one thing does not the other, that does not mean that the mentioned or other stories based on entertainment but are not necessarily children. Every author gets but does not want a percentage of their values \u200b\u200bin the comics, and background messages can be as good as those of addressing these issues more directly. And, well, some will simply be because I like the style, there is nothing to explain or justify. There are those who say "I love Bisbal" and nothing happens. It's a matter of taste.
With all that said, since LP editorial think it is necessary to create a comic-based entertainment in our country. Leave us and make us roll the plot between ourselves and start supporting each other so that the comic has the place it deserves. Would not you like to have a comic industry as strong as that of Japan? The amount of comics that occurs daily in this country is staggering, and it is possible with the comic is seen as normal. Although we have not gone so far, a few miles, in France, the comic is a unique entertainment as valid as any other and a growing market. Do not want that for ourselves? The only way is to let hinder the passage to the beginning, and although never a direct aid, often do not bother is a big help.

Thank you all for your time.